.
Saturday, April 30, 2011
120/365: Center Field
Friday, April 29, 2011
119/365: Seizure
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Advice found just to the right of the wall painting in yesterday's post and the tagger even knows some Latin. People's reaction to graffiti varies a lot. I don't like defacement of buildings but it's permitted on this wall and the work often has a lot of energy. This one has great visual pop. Sometimes it can be witty, like here. To quote another worn Latin phrase, de gustibus non est disputandum - there's no disputing taste.
Thursday, April 28, 2011
118/365: Looking For Love In All The Wrong Places
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That's one of those songs that can just get stuck in your head. Maybe it is the idea behind this new bit of painting on the graffiti-permitted part of the floodwall near the Arch. You're not likely to find the companion of your dreams in the industrial barrens around this site. The young man looks quite lonely, or maybe just stupefied.
Wednesday, April 27, 2011
117/365: A Walk In The Rain
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Tuesday, April 26, 2011
116/365: A Wheel For Giant Gerbils
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I was wandering around Citygarden between rain squalls Sunday afternoon, trying to find some downtown material. The Cardinals baseball game was letting out nearby. Two young ladies were taking pictures of one another in part of Bernar Venet's 2 Arcs X 4, 230.5 Degrees Arc X 5. It looks like one is racing through a very abstract gerbil wheel. I hope it's not a prediction of her career path.
Monday, April 25, 2011
115/365: In The Company Of Rabbits
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Sunday, April 24, 2011
114/365: Easter Bunny
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Well, it's that day in the Christian calendar so we gotta have something appropriate. What kind of eggs will this bunny bring to Citygarden? He or she (no way to tell!) might bring some in painted bronze, just like itself. Maybe chocolate ones, covered in white in a white sugar shell and whatever other seasonings the downtown sky brings. I'm not going egg hunting today, but I may go searching for images.
Saturday, April 23, 2011
113/365: Dogs Can Be Episcopalian, Too
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Labels:
Christ Church Cathedral,
dogs,
downtown,
Episcopal,
St. Louis
Friday, April 22, 2011
112/365: The Official Drink
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As I said on St. Louis Daily Photo today, I am scraping the bottom of the barrel for material. It's appropriate, then, to pop open a large serving of STL's favorite local beverage and contemplate plans for the future. This field is adjacent to the baseball stadium. When the new ballpark was being planned, the taxpayers were promised the site would soon contain a major retail, office and housing complex. Well, we have some grass and a parking lot. That's a start.
There is a little romance on St. Louis Daily Photo today, found when dumpster diving in the archives.
Thursday, April 21, 2011
111/365: Toynbee Tile
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Have any of you seen Toynbee tiles in your city?
Arnold Toynbee, 2001 A Space Odyssey, resurrection on Jupiter? Yes, that's the key idea in Toynbee tiles. This one is in the pavement near the northeast corner of 6th and Olive, beside the Starbucks.
They are found here and there across the northeast quarter of the US, most of all in Philadelphia, where they are believed to have originated. There were four in St. Louis. The city paved over two of them a couple of years ago during regular street maintenance, oblivious to their value (I would have paid the city streets department to save them for me).
The back story is complicated and uncertain. I did a series about them on St. Louis Daily Photo about them four years ago. The first post with as much information as I could find is here. My second find, the one pictured above, has more research and can be found here. This post, with info about tiles in other cities in in this post. The badly deteriorated fourth one is here.
They are found here and there across the northeast quarter of the US, most of all in Philadelphia, where they are believed to have originated. There were four in St. Louis. The city paved over two of them a couple of years ago during regular street maintenance, oblivious to their value (I would have paid the city streets department to save them for me).
The back story is complicated and uncertain. I did a series about them on St. Louis Daily Photo about them four years ago. The first post with as much information as I could find is here. My second find, the one pictured above, has more research and can be found here. This post, with info about tiles in other cities in in this post. The badly deteriorated fourth one is here.
Have any of you seen Toynbee tiles in your city?
Wednesday, April 20, 2011
110/365: The End Of The Road
.
They say that Wall Street starts in a graveyard and ends in a river. (It's literally true.) St. Louis' Washington Avenue starts in, um, a cul de sac and ends in a really big river right here. Eads Bridge is on the left and East St. Louis, Illinois, across the Mississippi. Note the telephoto-tiny statue of Meriwether Lewis behind the wall.
We're doing art appreciation testing on St. Louis Daily Photo today.
Labels:
downtown,
Mississippi River,
riverfront,
St. Louis
Tuesday, April 19, 2011
109/365: Old Fashioned Justice
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Monday, April 18, 2011
108/365: Open Freeman
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Sunday, April 17, 2011
107/365: Attention Gov. Walker Of Wisconsin
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Readers outside of the U.S. may not have heard of Governor Scott Walker of Wisconsin. A radical conservative, he led a battle to revoke the collective bargaining rights of almost all state workers (boo, hiss). The Democratic members of the state senate prevented a vote as long as they could by leaving en masse for neighboring Illinois, preventing a quorum. I share the reaction of this participant at the working families rally downtown a few weeks ago.
Saturday, April 16, 2011
106/365: A Voice For The People
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So, here I am in Chicago and, um, a bit out of new downtown material. On this weekend when the Republicans in the House of Representatives passed a budget eviscerating the Medicare program for the elderly and disabled while demanding low taxes for the rich, I decided to use some pictures from the working families' rally last month.
This is Rev. Teresa Danieley, rector of St. John's Episcopal Church in St. Louis, who gave the invocation. She is a tireless advocate for economic and racial justice. She's also been a close friend of our daughter since they were 12. They were high school classmates. Teresa officiated at our daughter and son-in-law's wedding four and a half years ago. She wields the light side of the Force.
This is Rev. Teresa Danieley, rector of St. John's Episcopal Church in St. Louis, who gave the invocation. She is a tireless advocate for economic and racial justice. She's also been a close friend of our daughter since they were 12. They were high school classmates. Teresa officiated at our daughter and son-in-law's wedding four and a half years ago. She wields the light side of the Force.
Friday, April 15, 2011
105/365: Serving St. Louis SInce 1880
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Thursday, April 14, 2011
104/365: No Fun Allowed
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A sign on a lamppost facing the Milles Fountain, featured here over the last few days. Looks like the city fathers and mothers are a bunch of old poops. Cricket doesn't seem to be prohibited and you can set it up almost anywhere (I've seen it played in the most unlikely locations in India). So let's set up a little scratch cricket match beside the fountain and see what the authorities think of that. It should weird them out pretty good. Anyone know a fast bowler who doesn't mind some water spray in his face?
Wednesday, April 13, 2011
103/365: Blog Goof Off Day Part 2
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Lots more nothing, people goofing off, taking it easy, refusing to produce. It may appeal to you or not (it would drive me crazy.) The theme is shared today with St. Louis Daily Photo.
This chap in snoozing on the marble wall surrounding Milles Fountain and its pool, which we have seen in the last few day's posts.
Tuesday, April 12, 2011
102/365: The Mississippi And Its Posse
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A wider view of Milles Fountain, showing the western half half of the work. The tall man in front represents the Mississippi River. The female Missouri is just out of the frame to the right. The unveiling of the statue in 1940 set off quite a scandal among the local wealthy prudes. It was originally called The Marriage Of The Waters. The bride and groom were nude (the composition of this picture has taken care with the placement of Mr. Mississippi's right hand). Unconscionable! So the city called it The Meeting Of The Waters thereafter. Must have been a hot date.
Union Station is in the background.
Labels:
downtown,
Milles Fountain,
Mississippi River,
St. Louis,
Union Station
Monday, April 11, 2011
101/365: Opposed To Bathing
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Like yesterday, another detail from Milles Fountain. The overall theme of the work is celebratory - the great meeting of the Mississippi and Missouri Rivers - but some members of the retinue on each side are positively miserable. This one looks like a little boy who really doesn't want to take a bath.
Sunday, April 10, 2011
100/365: River Monster
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I am not getting up today for the 7 AM start of the St. Louis Marathon.
A detail from Carl Milles' fountain The Meeting of the Waters, between Market and Chestnut Streets. It's about the union of the Missouri and Mississippi Rivers just north of here, each with his or her fishy attendants. More of this over the next few days.
I am not getting up today for the 7 AM start of the St. Louis Marathon.
Saturday, April 9, 2011
99/365:No Swimming
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The city lets children splash around in the fountains at Citygarden. That's a wonderful and surprising thing, given the usual attitudes of insurance companies. The water is on now, the weather is getting warmer, so what's with the sign? It's not like they have a lifeguard.
We are supposed have summer-like weather today, with temperatures in the upper 80s F. or 30 - 31 C. I'll walk by and see if the sign is being ignored. Question authority.
We are supposed have summer-like weather today, with temperatures in the upper 80s F. or 30 - 31 C. I'll walk by and see if the sign is being ignored. Question authority.
Friday, April 8, 2011
98/365: Mother of Invention
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This has nothing to do with Frank Zappa, although I wish it did. Never saw him perform live. Damn.
But back to the point. In yesterday's post, I was whining about how I was out of downtown material. Necessity being the mother of invention, I went down to Citygarden at lunch time with my point-n-shoot (there's always something to shoot). I noticed that the city had just turned the fountains back on. Eros Bendato sits on a wide circular plinth of granite, tilted just a degree or two down and away from the face. (You can get a better idea from this old post.) In the warmer months, a thin sheet of water trickles from the face to the edge of the plinth, increasing the overall feeling of strangeness. This is how it looks from ground level.
But back to the point. In yesterday's post, I was whining about how I was out of downtown material. Necessity being the mother of invention, I went down to Citygarden at lunch time with my point-n-shoot (there's always something to shoot). I noticed that the city had just turned the fountains back on. Eros Bendato sits on a wide circular plinth of granite, tilted just a degree or two down and away from the face. (You can get a better idea from this old post.) In the warmer months, a thin sheet of water trickles from the face to the edge of the plinth, increasing the overall feeling of strangeness. This is how it looks from ground level.
Do you know how many women Don Giovanni wooed in Spain? Then check St. Louis Daily Photo today.
(Answer: mil e tre.)
Thursday, April 7, 2011
97/365: Walk/Don't Walk
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Well, make up your mind. Julian Opie's This Is Kiera and Julian Walking violates the Don't Walk sign 24/7. The couple are on an endless existential walk to nowhere, a stroll that has no beginning and no end. I hope the artist didn't mean this as a metaphor for the relationship.
I am desperately low on downtown images that aren't about the Arch. Might have to post a picture of the pen and pencil holder on my desk, or something similarly dire. Maybe I could use that thought as a springboard.
I am desperately low on downtown images that aren't about the Arch. Might have to post a picture of the pen and pencil holder on my desk, or something similarly dire. Maybe I could use that thought as a springboard.
Wednesday, April 6, 2011
96/365: Save Us, O Lord
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The graffiti-allowed section of the Mississippi River flood wall is constantly being overpainted and changing. Here's a new bit. The illustration is a little over the top (I doubt that we are a first-tier target for nuclear attack) but the image still has meaning. We have a city that's not fabulous but not a complete dump. We have a large array of civic, cultural and arts organization that keep up real vibrancy, while our governmental leaders, as a group, are short-sighted and self serving. We just keep losing corporate headquarters, our suburban and now exurban sprawl is appalling, but the city itself still has a strong beating heart. What's in the future? Salva nos, O Domine.
The graffiti-allowed section of the Mississippi River flood wall is constantly being overpainted and changing. Here's a new bit. The illustration is a little over the top (I doubt that we are a first-tier target for nuclear attack) but the image still has meaning. We have a city that's not fabulous but not a complete dump. We have a large array of civic, cultural and arts organization that keep up real vibrancy, while our governmental leaders, as a group, are short-sighted and self serving. We just keep losing corporate headquarters, our suburban and now exurban sprawl is appalling, but the city itself still has a strong beating heart. What's in the future? Salva nos, O Domine.
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